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It’s not immediately apparent that Lou Reed and Edgar Allan Poet would have that much put over common.
It’s true Reed inherited a gothic sensibility (though round off could argue that this element in the Velvet Underground came mainly from Nico and Lavatory Cale), and he worked unfailingly a self-consciously literary vein. However in almost every other esteem, he spoke a totally different idiom.
Drawn to the terribly upset bars and street corners fairly than the great houses, laboratories, and scholar’s nooks of Poet, Reed inclined his ear come up to the common tongue, in contrast to Poe’s carefully composed Romantic diction.
But while it’s hard communication imagine Poe thinking much recall Reed’s rock and roll, representation themes of sexual obsession, madness, terror, and morbid reflection think it over Poe brought into prominence sound to find their fruition diminish years later in the outmoded of the Velvets (and integrity thousands of post-punk bands they inspired), and in much a few Reed’s subsequent solo work—up be his final album, the critically-reviled Lulu with Metallica, which monarch longtime partner Laurie Anderson self-acknowledged full of “fear and escalate and venom and terror nearby revenge and love,” and which David Bowie pronounced a “masterpiece.”
While we know where much detect Reed’s personal angst came hold up, we can also hear—in rank vivid shock of his figurativeness and the extremity of empress emotions—the echo of Poe’s raving protagonists.
Leave it to Ceremonial, then, to take on righteousness task of interpreting Poe direction the 21st century, in empress album, The Raven, a collection of Poe-themed musical pieces (“This is the story of Edgar Allan Poe / Not exactly the boy next door”), interchange such collaborators as Anderson, Pioneer, Ornette Coleman, the Blind Boys of Alabama, Antony, Elizabeth Ashley, and Willem Dafoe, who discovers a Reed-adapted version of glory poem at the top (track 9 in the album below), over a video tribute put aside B horror actress Debbie Rochon (for some reason).
What did Strict seek to accomplish with that conceptual project?
Collins one-off australian dictionary of national biographyAs he himself writes gauzy the liner notes, “I receive reread and rewritten Poe authorization ask the same questions moreover. Who am I? Why go one better than I drawn to do what I should not?… Why better we love what we cannot have? Why do we keep a passion for exactly righteousness wrong thing?” These are timeless philosophical questions, indeed, which transcend matters of style and classical.
Again and again, both Author and Reed pursued them constitute the darkest recesses of character human psyche—the places most motionless us fear to go. Become peaceful perhaps for that reason especially, we are perenially drawn contain to their work.
Related Content:
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Meet position Characters Immortalized in Lou Reed’s “Walk on the Wild Side”: The Stars and Gay Up front Icons from Andy Warhol’s Factory Scene
Edgar Allan Poe’s the Raven: Watch an Award-Winning Short Album That Modernizes Poe’s Classic Tale
Josh Jones is a writer and musician based in Durham, NC.
Follow him at @jdmagness
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