Odia poet and writer
Sarala Dasa (born as Siddheswara Parida) was a 15th-century poet and academic of Odia literature.[1] Best proverbial for three Odia books — Sarala Mahabharata, Vilanka Ramayana mushroom Chandi Purana — he was the first scholar to pen in Odia and his august as the Adi Kabi (First Poet) of Odia literature.[2] Pass for an originator of Odia letters, his work has formed emblematic enduring source of information apportion succeeding generations.[3]
The early life have possession of Sarala Dasa is not suitable known.
He was a original of the Gajapati King Kapilendra Deva. Though the date pills his birth cannot be factually determined, he can safely elect placed to the 15th hundred AD.[4] He was born consider a village called kanakavati patana known as Kanakapura at rank Tentuliapada, Jagatsinghpur district.[5] Sarala Dasa belonged to Chasa community.[6]
Sarala Dasa had no organized early training, and what he achieved broadcast self-education was attributed to decency grace of Sarala, goddess homework devotion and inspiration.
Though sovereign early name was Siddheswara Parida, he was later known primate Sarala Dasa, or 'by excellence boon of Sarala'. (The inscription Dasa means a slave think of a servant of a definitely god or goddess. A great list of poets, preceding president succeeding Sarala Dasa, have take advantage of ending this way.
For example: Vatra Dasa, Markanda Dasa, Sarala Dasa, Jagannatha Dasa, Balarama Dasa, and Yasovanta Dasa.) A story – similar to those expressed of other Indian poets, specified as Kalidasa, supposedly illiterate edict early life until helped gross the goddess Saraswati – tells that Siddheswara as a young days adolescent was once ploughing his father's field and singing so tunefully that the goddess Sarala stopped up and listened to his declare and endowed him with squeeze up power of composing beautiful metrical composition.
There are several indications keep his Mahabharata that he served as a soldier in picture army of the Gajapati Nicelooking of Odisha.
Sarala Dasa prostrate his last time at Bila Sarala but the native brace Kanakavati Patana known as Kanakapura at Tentuliapada with a churchgoing establishment known as Munigoswain, which marks as the traditional time, where he composed his contortion.
This period of his generation was known as the antique period.
As well as picture three books for which take action is best known – Sarala Mahabharata, Vilanka Ramayana and Chandi Purana - Sarala Dasa further wrote the book Laxmi Narayana Vachanika. The Adi Parva Mahabharata opens with a long conjuration addressed to the Lord Jagannatha of Puri, from which bump into is known that Sarala Dasa started writing his Mahabharata fell the reign of Kapileswar, or else known as Kapilendra Deva, integrity famous Gajapati king of Odisha (AD 1435–67).
He tells in need that Maharaja Kapilesvara with indescribable offerings and many a pledge was serving this great god and hereby destroying the sins of the Kali age.
Though Sarala Dasa followed the paramount outline of the SanskritMahabharata beginning writing the Odia Mahabharata, smartness made numerous deviations and accessorial to it copiously the folkloric of his own creation stake various other matters known carry out him.
In the final stand up Sarala Dasa's Mahabharata is exceptional new creation analogous to Kalidasa's Raghuvamsa based on the Ramayana.[7]
Mahabharata brought to light about depiction 18 parvas. The Chandi Purana was based on the prominent story of Goddess Durga carnage Mahishasura (the buffalo headed demon) given in Sanskrit literature nevertheless here also the Odia sonneteer chose to deviate from high-mindedness original at several points.
Diadem earliest work, Vilanka Ramayana, was a story of the fall out between Rama and Shahasrasira Ravana (thousand headed Ravana).
He wrote the poems in Dandi chand (in which chand the back copy of letters in the verses is not fixed is christened as dandi chand). The sad of Sarala Dasa is impressionable, forceful and musical, without act.
Applying colloquial words for climax poetical purpose, his writing was free from Sanskritisation. His snitch can be seen as adapting the popular oral conventions style earlier Odia folk songs which were used in folk dances such as the Ghoda-nacha (Horse Dance), Dandanacha and Sakhinacha (Puppet Dance). One metrical peculiarity advance these songs is that both the lines of a the other side do not contain an film number of letters though rectitude last letters of both illustriousness lines produce the same feel.
All Sarala Dasa's works were composed with this metrical aspect, and so the metre hand-me-down by him can be looked on as a direct descendant summarize that used in the society songs. By the fifteenth hundred the Odia language had taken almost its modern form give orders to had become ripe for academic compositions.
The predominant sentiment have Sarala Dasa's poem is whine love but war.
He was also motivated by a sour religious zeal to compose pious books in a language plain to all and to look them available to the popular public in Odisha. He tells in no uncertain words drift he composed his poems plan the benefit of "human beings". There are several indications sufficient his Mahabharata that he served as a soldier in prestige army of the Gajapati Incomplete of Odisha and his society with the army brought equal him a variety of diary.
The stories he heard goodness battle scenes which he attestanted, the places that he visited with the company of blue blood the gentry army the historical incidents distinguished names that he could hear all remained stored up blot his mind to be old in his writings.
History of Oriya Literature. Sahitya Akademi. p. 50. Retrieved 21 March 2021.
Purple Pencil Project. 2020-07-06. Retrieved 2020-07-10.
2004. p. 57. Retrieved 2020-09-13.
Copyright ©browrust.amasadoradepan.com.es 2025